Teddy Behr: Su trabajo es increíble: Se usó a si mismo como si fuera un lienzo…como escultura viva. Mucho de su arte era muy conceptual. La ropa modelada en el maquillaje, las gafas…, Embelleció y celebró su propio cuerpo gordito en una manera que destacó las reglas anoréxicas de la industria de la moda. Es bien aceptado que influyó a Alexander McQueen, Lady Gaga, Lady Bunny, John Galiano; incluso Boy George y Vivien Westwood.
Adora: Sí, es que estaba haciendo una especie de drag unisex. No tenía que ver con
Teddy: Sí,-Tiene sentido: la mayoría de la gente realmente no parecen ser exclusivamente masculino o exclusivamente femenino en el sentido tradicional; más como una mezcla de lo que tradicionalmente se considera uno o el otro … y el humor hizo seductora la idea de ‘post-género’. Todo era bastante poética también: hay una calidad de Chaplin en su obra. Eso es lo que realmente lo hizo destacar como artista y por eso su idea post-género se comunicó con tanto éxito.
Adora: A mí me encanta la idea de que la gente portándose y vistiéndose del otro género. Si no lo has intentado hacerlo, en serio debes; es muy liberador y divertida. Deja salir esa chica (o chico) que vive adentro para saber quien, en realidad, eres. Confía en mí, yo sé lo que estoy hablando.
Teddy: Sí, es verdad Adora.
Adora: I’ve just been looking through my Leigh Bowery book (‘Leigh Bowery: Looks’ by Fergus Greer, 2006, Violette Editions), for ideas for a show. Leigh was so amazing: he did so much in such a short time; and it influenced so many people. And while South Beach was developing a drag-art scene in the early ’90’s he was in London doing some very similar things, but really more over the top’ in a lot of ways.
Teddy Behr: The work is amazing: He used himself like a canvas, like a living sculpture. And so much of it was really concept-based: the costumes where pattern on the clothes continued unto his make-up, the glasses….He embellished and celebrated his own rather tubby body in a way that really called the fashion industry on it s anorexia rule. It’s widely accepted that he influenced Alexander McQueen, Lady Gaga, Lady Bunny, John Galiano; even Boy George and Vivien Westwood.
Adora: Mmmmm… he was doing a kind of unisex drag: it wasn’t really about impersonating a female person; it was about a person who seemed to transcend gender. And I think that was really kind of prophetic and important: now we’re seeing a lot of ‘post-gender’ activity and a movement to add a non-gender identity to the usual male/female gender boxes to click. It’s really liberating I think: people can think of themselves as a combination of male and female. Bowery really did that in a theatrical and fun way.
Teddy: Yeah, -It makes sense: most people don’t really seem either all-male or all-female in the traditional sense; more like a mix of what is traditionally considered one or the other… and the humor made the ‘post-gender’ idea seductive. It was all pretty poetic too: there’s a heart-felt Chaplin-esque quality to the work. That’s what really made him stand out as an artist and why his post-gender idea was so successfully communicated.
Adora: I love the idea of people acting out and dressing like the so-called “opposite sex’. If you haven’t tried it you really should: it’s incredibly liberating and fun. Let that girl (or boy) out of the box and find out more than ever about who you really are; trust me -I know what I’m talking about!
Teddy: “Yes you do, Adora.”
-Leigh Bowery died of Aids in 1994 before the new meds were available. Even so, he contributed a lot in his short life and made things easier and more interesting for people who know his work.